DJ Krush -Milight[MP3!]

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专辑中文名: Milight
歌手: DJ Krush
资源格式: MP3
发行时间: 1997年08月18日
地区: 日本
语言: 英语
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概述:

专辑名称：Milight
专辑歌手：DJ Krush
专辑类型：Electronica
歌曲风格: Hip-Hop,Ambient,Breakbeat
唱片公司：Mo’ Wax/FFRR
发行日期: 1997-8-18
压缩比率: 128k
专辑介绍：
　这张大碟邀请了很多国家的DJ合作，以及邀请了日本国内的女歌手如Eri Ohno，Deborah Anderson等。但个人以为如果能去除那些以From开头的DJ们的简短说话和部分的rap的话，整个专集将更紧凑些，也更湿冷阴暗些，也将更加地完美。
　　Intro用不规则的金属敲击声的开头，再次地和先前专集里的Intro区别出来，要做到每张大碟的第一个开头曲目都让人惊艳确实是不容易的。Jikan No Hashi 1开头的打击乐器的清脆的鼓声味道很是浓郁。Jugoya的开头昆虫声的采样再次让我想起DJ Cam的birds also sing for anamaria，但随后还是有明显的区别，DJ Krush显然更偏爱阴冷的氛围，所以没有象DJ Cam那样把小鸟的叫声处理得快乐无比，而是加入了一群男声（唱诗班？），显得很是肃穆。Supanova开头的循环两个小节采样让人有些耳晕，之后的一小段同样出色，但可惜马上就冒出了rap，刚才的头晕目眩转眼就被这rap给赶跑了，失败啊失败。相比之下Jikan No Hashi 2就去掉了rap做的就相对纯粹多了。Hitotsu No Mirai 9分多长的Le Temps邀请到了DJ Cam的助阵自然是相当出色，做的很迷幻（这个词语用滥了就不希奇了，但这里确实很适合）。Light (Can You See It)末尾的日本小女孩的声音很可爱。Mind Games (Lennon)的金属撞击声很入耳，但女主音的灵歌风格还是不能接受。而Skin Against Skin的女主音Deborah Anderson在高音部分的唱腔总让我想到Bjork。
English Biography:
Japanese turntablist and producer DJ Krush is one of the few island-nation throw-ups to be embraced by the global hip-hop world. Releasing material through Sony in Japan, Mo’Wax and Virgin in the U.K., and Axiom, Shadow, and A&M in America, Krush’s heady brand of experimental, (largely) instrumental hip-hop has been praised by everyone from hardcore underground hip-hop ‘zines like The Bomb to the speckless offices of Rolling Stone and Spin. Beginning as a bedroom DJ in the mid-’80s following the Japanese leg of the Wildstyle tour, Krush moved into mobile DJing, backing up rappers, and eventually solo production. Although his Japan-only debut freely mixed elements of R&B and acid jazz with the beefy breakbeat backbone of mid-tempo hip-hop, Krush’s work has since tended more toward the abstract, applying heavy effects and sample manipulation to thick, smart breaks, layered, almost ambient textures, and subtle, inventive scratching. Krush came to larger acclaim in the mid-’90s through his association with the London-based Mo’Wax label, which released his Strictly Turntablized in 1994 and Meiso in 1996, both reissued stateside by A&M. While Turntablized is closer to a collection of DJ tools, Meiso is a return of sorts to his earlier work, including rappers such as Guru and CL Smooth on a few tracks and incorporating a wider variety of instrumental sounds and atmospheres. In addition to 1997’s Milight, Krush also featured on a number of various-artists collections, including Mo’Wax’s celebrated Headz, as well as Altered Beats and Axiom Dub (both out on Bill Laswell’s Axiom label). Kakusei appeared on Mo’Wax/Columbia in 1999, followed by the mix albums Code 4109 and Tragicomic the next year.

专辑曲目:
01 Intro
02 From Rino
03 Shin-Sekai
04 Jikan No Hashi 1
05 From Stash
06 Real
07 From Tragedy
08 Jugoya
09 Listen
10 From Shawn J. Period
11 Supanova
12 From Finsta Bundy
13 Jikan No Hashi 2
14 From DJ Cam
15 Le Temps
16 From Kemuri Production
17 Hitotsu No Mirai
18 From Futura 2000
19 From DJ Krush
20 Jikan No Hashi 3
21 From Lee Q
22 From Mos Def
23 Shinjiro
24 From Ken “Duro” Ifill
25 Light (Can You See It)
26 Mind Games
27 From Eri Ohno
28 Skin Against Skin
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