动画大师

资源概述：

1987年约翰·哈拉斯（John Halas）为BBC制作了套《动画大师》（Masters of Animation）.总长339分钟的教学节目耗时十年，收集了13个国家和地区的近7000名动画工作者的资料和采访。全片分四部分，
一：美国和加拿大；
二：英国、法国、意大利；
三：东欧的波兰、匈牙利、前苏联、前南斯拉夫；
四：亚洲。1987年该片同名著作出版。（转自薛燕平老师所著《英国动画》）
关于导演约翰·哈拉斯（John Halas）参见猫老师的《英国动画》一书

其他关于动画方面的文献资料请关注动画文献的博客
http://blog.sina.com.cn/donghuacn

特别感谢这几位帮忙翻译的朋友
感谢：阿当、[豆瓣]又又、砰砰、壁花胡奶、猫小雨、卫卫卫、Stand Alone

引用

法国篇就只有15分钟,15分钟之后就是接着英国

纪录片动画大师（1-1） 加拿大的独立动画

纪录片动画大师（1-2） 加拿大的NFB

纪录片动画大师(1-3)美国动画史Masters of Animation 1-3 – USA

(Produced and directed by John Halas. Associate Producer, Jean-Marc Peyron. Editor, Sean Lenihan. Commentary, David Healy and Oswald Laurence. Original Music, Peter Shade, Richard Arnell and David Hewson. 1986)

A series of four programs produced and directed by John Halas. Over 10 years in the making, Masters of Animation represents the peak achievements of 7,000 artists from 13 countries. Produced and directed by John Halas, former president of the International Animated Film Association and award-winning animator, the series provides an opportunity to experience the exciting diversity of the world’s leading animation artists. In addition, viewers are treated to examples of state of the art animation technology.

Volume 1: USA and Canada

USA:
By the 1920s animation was firmly established in the United States. In this program such animation greats as Chuck Jones, Barrie Nelson and Leo Salkin discuss their work. Excerpts from the work of Walt Disney, the Hubleys, Will Vinton, Bob Blechman, Joanna Priestley and others make this a lively and well-rounded program.

CANADA:
The National Film Board of Canada
The NFBC is internationally known for its outstanding work in animation, Norman McLaren, Caroline leaf and Don Arioli discuss their work for the NFBC, and we see examples of their work as well as that of Eugene Fedorenko, Derek Lamb, Zlatko Grgic, Co Hoedman, Geoffrey Hale and Ishu Patel.

The CBC-Radio Canada/Canadian Independent Animators
Animation in Canada has achieved an international reputation for technical excellence and artistic content. This program presents outstanding examples of work by the CBC-Radio Canada as well as that of independent animators. Artists presented include Frederic Back, Graeme Ross, Andre Theroux, Al Sens, Philippe Bergeron, and others.

Volume 2: Great Britain, Italy, France

GREAT BRITAIN:
Within the European community Great Britain played a leading role in establishing animation as sophisticated entertainment. Interviews with John Halas, Joy Batchelor, and John Coates combine with works by Dunning, Godfrey, Grgic, and others to present the best of British animation.

ITALY:
The humor and artistry of Italian animation have their origins in the Renaissance. Emanuele Luzzati and Giulio Gianini discuss their films, while excerpts from the work of Manfredi, Cavandoli, Manuli, Lagana and Bozzetto round out this overview.

FRANCE:
France was a leader in the development of animated pictures. Today, French animators use a wide variety of styles and techniques. Works by Grimault, Alexeieff, Parker, Foldes, Lenica, Laguionie and the Gaumont Studios illustrate this variety.

Volume 3: USSR, Yugoslavia, Poland, Hungary

USSR:
With some 25 studios spread over its territory, the USSR has a long tradition of animated filmmaking. The work of such artists as Evanov-Vano, Atamanov, Vinokurov, Shvartzman, Kurchevsky, and Norstein exhibits a remarkable variety of animated styles.

YUGOSLAVIA:
In the past few decades, Zagreb Film has become one of the most active centers of European animation. Interviews with Vokotic, Stalter, Dragic and Dovnikovic and works by Majdak and Gasparovic illustrate the diversity of Yugoslavian animation.

POLAND:
In Poland animated programs are popular for all ages. Works by Giersz, Kijowicz, Kucia, Dumala and Szczechura illustrate the skill and humor with which Polish artists carry out their themes.

HUNGARY:
The widely diverse styles of Hungarian animation artists have produced many animated feature films. These works are represented by Macskassy, Dargay, Nepp, Varga, Rofusz, Reisenbuchler, Jankovics and Gemes.

Volume 4: Japan, Computer Animation Parts I + II

JAPAN:
Noted for producing most of the world’s animated programs for children, Japan is also home to independent animators with widely varying styles. Works by Kinoshita, Tsukioka, Yusaki, Dawamoto, Tezuka and Kuri illustrate this diversity.

COMPUTER ANIMATION PART I:
This program takes the viewer inside the studios of the Institute National de l’Audiovisuel in Paris to show how computer animation is achieved. The medium is illustrated in works by, among others, Hourcade, Borenstein, Abel, Roberts, Whitney, Demos, Csuri, Rosendahl, Halas, and Donner.

COMPUTER ANIMATION PART II:
Computer animation technology is opening up new horizons in space research, medicine, the entertainment industry, architecture, advertising, and the arts. Works by such international experts as Rosendahl, Toyolinks Corporation, Sogitec Audiovisuel, Lodge-Cheesman, Nakamae and Makajima illustrate these applications.

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