迴轉姻緣的剧情概述 · · · · · · Goodbye slapstick, hello sophistication. Lubitsch's inimitable style comes of age in his second Hollywood production, which, Hitchcock claims, is "the greatest contribution... to the cinema" In a dégagé manner, Lubitsch goes about disproving Tolstoy's adage that all happy marriages resemble each other and all unhappy marriages are unhappy in their own way. In his continental circle game of flimsily disguised desire, two couples, one happily, one unhappily married are caught in the same merry-go-round of infidelity. Revelling in the elegance and decadence of Viennese café society, the bedroom farce has the operatic flair of The Marriage of Figaro and Abduction from the Seraglio, and the sinister sensuality of Klimt.