Various Artists -爵士精选与音响测试指南三 Best Of Chesky Jazz And More Audiophile Tests Volume 3 [APE]

资源信息：

专辑英文名: Best Of Chesky Jazz And More Audiophile Tests Volume 3
专辑中文名: 爵士精选与音响测试指南三
歌手: Various Artists
资源格式: APE
发行时间: 1994年08月01日
地区: 美国
语言: 英语
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概述:

专辑介绍:
*欲瞭发烧音响事，更上一层楼。
*由John Henry主讲，带您逐步进入立体声音响测试的世界，
例如立体麦克风技术解说、人工及自然空间感、人工及自然 成像等，并介绍Chesky独创20-bit高解析录音的程序。
*收录歌曲11首含Ana Caram、Rebecca Pidgeon、Sara K.、
Leny Andrade、Badi Assad等Chesky发烧天后的招牌歌曲，
以及完整版音响测试专用34轨。
「爵士古典精华及音响测试（三）」，里面则收录了佛烈得·赫许三重奏（The Fred Hersch Trio）所詮释的Dizzy Gillespie名曲「Con Alma」、黑人女歌手拉芬·巴特勒（LaVerne Butler）所重唱的慢板爵士经典情歌「I Cover Waterfront」，古典乐曲则有「康乃迪克早期音乐节庆合奏团」（Connecticut Early Music Festival Ensemble）詮释韦瓦第（Vivaldi）的「四季／冬」，以及西敏寺合唱团（Westminster Choir）演唱莫札特（Mozart）的作品「圣体颂」（Ave Verum Corpus）。除了演奏、演唱的乐曲以外，这两张作品可以说是让乐迷们认识所谓「音效」的最佳入门片–完整呈现Chesky Records的音乐理念：在专辑中呈现出音乐的「空间感」。一般乐迷对於录音室里面的种种细节安排可能没有很明确的概念，但是在听过这两张唱片里面所进行的种种音效试验以后，大致上就可以了解，什么是「音场」（Sound-stage）的概念：声源位於各个不同方位，到底各自会呈现什么不同效果？「音场」的「深度」（depth）是怎么一回事？在录音室里面，麦克风的不同摆设方式、乐器位置的不同分布安排，又分别会呈现什么不同的「空间感」（ambience）数位的录音方式与类比的录音方式又有何不同？这一切都可以获得解答。
专辑曲目:
01. Anna Caram/ Africando Jd104 03:44
02. Livingston Taylor/ Out Of This World Jd97 02:40
03. Leny Andrade/ Wave Jd113 05:50
04. Connecticut Early Music Festival Ensemble/ Winter Cd78 03:27
05. Rebecca Pidgeon/ Grandmother Jd115 06:25
06. Orquesta Nova/ Battery Park Jd86 05:08
07. Laverne Butler/ I Cover The Waterfront JD9 06:06
08. Sara K./ Horse I Used To Ride Jd105 04:26
09. Fred Hersch Trio/ Con Alma Jd116 05:56
10. Badi Assad/ Num Pagode Em Planaltina Jd99 04:41
11. Westminster Choir/ Ave Verum Corpus Cd83 03:39
12. Announcement/ Artificial Stereo Demonstration 01:25
13. Microphone Technique: Mono Mike 00:38
14. Microphone Technique: Artificial Stereo 00:46
15. Microphone Technique: XY Cardiodid Technique 00:40
16. Microphone Technique: XY And Added Ambience 00:43
17. Microphone Technique: XY With Increased Ambience 00:45
18. Microphone Technique: Crossed Figures 8’s 00:46
19. Microphone Technique: Spaced Pair If Omnis 00:42
20. Microphone Technique: Three Spaced Omnis 00:43
21. Instrument Placement: Announcement 00:14
22. Instrument Placement: Piano Against The Wall Of Studio 00:24
23. Instrument Placement: Piano In The Middle Of The Studio 00:16
24. Natural Vs. Artificial Space: Announcement 00:23
25. Natural Vs. Artificial Space: Drum Set Recorded In A Dry Studio 01:00
26. Natural Vs. Artificial Space: Drum Set In A Live Studio 00:52
27. Natural Vs. Artificial Space: Drum Set With Artificial Reverberatio 00:45
28. Natural Vs. Artificial Imaging: Natural Stereo Imaging 01:44
29. Natural Vs. Artificial Imaging: Artificial Stereo Imaging 01:28
30. Natural Vs. Compressed Dynamics: Introduction To Compressors 00:57
31. Natural Vs. Compressed Dynamics: Jazz Group With Compression 00:15
32. Natural Vs. Compressed Dynamics: Jazz Group Without Compression 00:14
33. New 20-Bit High-Resolution Technology 02:04
34. Dirty Vs. Clean Power: Violin Recorded With Dirty Power 00:24
35. Dirty Vs. Clean Power: Violin Recorded With Clean Power 00:24
36. Digital Vs. Analog Tape: 20-Bit, All Digital Recording 00:43
37. Digital Vs. Analog Tape: 20-Bit Recording Made From Analog Tape 00:44
38. Equipment And Cable Burn-In SIgnal 01:07
39. Volume Level Warning ! 00:09
40. 16-Bit Vs. 20-Bit A/D: Music At -30dB Into 16 Bit System 00:45
41. 16-Bit Vs. 20-Bit A/D: Music At -30 Db Into 20 Bit With High Resolution Dither 00:41
42. Fade To Noise Tests: Fade To Noice, No Dither 00:18
43. Fade To Noise Tests: Fad To Noise, Flat Dither 00:30
44. Fade To Noise Tests: Fad To Noise, High Resolution Dither 00:31
45. Volume Level Warning ! 00:06

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