DJ Krush -Code 4109[MP3!]

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专辑中文名: Code 4109
歌手: DJ Krush
资源格式: MP3
发行时间: 2000年
地区: 日本
语言: 英语
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概述:

专辑名称： Code 4109
专辑歌手： DJ Krush
专辑类型： Electronica
歌曲风格: Trip-Hop, Ambient, Breakbeat
唱片公司： SONY
发行日期: 2000
压缩比率: 192K
专辑介绍：
DJ KRUSH：日本最具影响力的Hip-Hop DJ/音乐人他的Krush 、Strictly Turntablized、Mi-Light、觉醒等历年作品，都被选为日本十年Hip-Hop发展史中最具代表性的专辑，甚至由他所领军的‘流’(Ryu)，都是99年最具份量的日本Hip-Hop团体。更重要的是，DJ KRUSH是最早且最成功打入国际市场的日本Hip-Hop DJ/音乐人之一，以其混和Instrumental Hip-Hop/Experimental Hip-Hop的独特手法获得英美乐评的一致推崇。
DJ KRUSH在90年代中期便因其于93年发表的单曲”Slow Chase”而被Mo’Wax厂牌老板James Lavelle所赏识网罗，随即分别于94年和DJ Shadow共同发表了为乐迷所津津乐道的Double A-Side单曲”Lost And Found/Kemuri”，以及于95年发表‘Strictly Turntablized’这张结合大量Minimal、Jazz、Abstract Hip-Hop的经典作品。当然我们也不能遗忘了DJ KRUSH在‘Meiso’、‘Mi-Light’两张专辑中积极与海外的Hip-Hop/Rap乐手合作；前者有C.L.Smooth、Guru、The Roots，后者则有Sawn J. Period、Mos Def等Underground Hip-Hop核心份子与法国Abstract Hip-Hop好手DJ Cam。
DJ KRUSH在结束全球20国、80个城市的DJing Tour后，发表这张名为Code4109的全新个人DJ-Mix Album。而在这张‘Code4109’中，你可以首度感受到DJ KRUSH在创作以外，对DJ-Mixing的驾驭能力，所构成的是一个穿梭于Abstract Hip-Hop、Jazz Hip-Hop、Underground Hip-Hop间的聆听旅程，营造出一个时而萧条幽暗、时而Laidback的音乐空间，同时那些间或点缀加入的Scratchin’效果更是有如神来之笔。所挑选的20多首曲目包括有Gangsta Rap/Hardcore Rap组合The Legion的”Jingle Jangle”、DJ Cam的”No Competition”、Jazznova的”Coffee Talk”、Tha Blue Herb的”知惠的轮”、流的”iLektrik”与”Betaholic Reformatory”…等来自不同国家的作品，并以他的经典作”Kemuri”结尾，而最令人惊艳的是用上了Beats International (过去Fatboy Slim所属组合)作品”Just Be Good To Me”的‘Acappella’版。
这张大碟有个鲜明的特色，就是每个曲目都结合的很紧凑。因为紧凑所以通常几个曲目的开头似乎粗听都差不多，似乎是同一个开头的不同演绎。此外打击乐器和鼓机的频繁结合也是本专集的一大特点。不过精彩的地方往往出现在每个曲目的结尾处，而之前往往只在细节上有所变化，这就对听者的耐心是极大的考验了。说句题外话，由于我是在一个充满阳光的下午坐在屋子里听这张专集的，加上困的不行，所以再经过缓慢的几乎停滞的循环机械的鼓机声的催眠，几乎快要睡着。

English Biography:
Japanese turntablist and producer DJ Krush is one of the few island-nation throw-ups to be embraced by the global hip-hop world. Releasing material through Sony in Japan, Mo’Wax and Virgin in the U.K., and Axiom, Shadow, and A&M in America, Krush’s heady brand of experimental, (largely) instrumental hip-hop has been praised by everyone from hardcore underground hip-hop ‘zines like The Bomb to the speckless offices of Rolling Stone and Spin. Beginning as a bedroom DJ in the mid-’80s following the Japanese leg of the Wildstyle tour, Krush moved into mobile DJing, backing up rappers, and eventually solo production. Although his Japan-only debut freely mixed elements of R&B and acid jazz with the beefy breakbeat backbone of mid-tempo hip-hop, Krush’s work has since tended more toward the abstract, applying heavy effects and sample manipulation to thick, smart breaks, layered, almost ambient textures, and subtle, inventive scratching. Krush came to larger acclaim in the mid-’90s through his association with the London-based Mo’Wax label, which released his Strictly Turntablized in 1994 and Meiso in 1996, both reissued stateside by A&M. While Turntablized is closer to a collection of DJ tools, Meiso is a return of sorts to his earlier work, including rappers such as Guru and CL Smooth on a few tracks and incorporating a wider variety of instrumental sounds and atmospheres. In addition to 1997’s Milight, Krush also featured on a number of various-artists collections, including Mo’Wax’s celebrated Headz, as well as Altered Beats and Axiom Dub (both out on Bill Laswell’s Axiom label). Kakusei appeared on Mo’Wax/Columbia in 1999, followed by the mix albums Code 4109 and Tragicomic the next year.
专辑曲目:
01 Intro (DJ Krush)
02 Jingle Jangle [Mental Mix] (Legion)
03 Back to the Essence (Gravity)
04 No Competition (DJ Cam)
05 Four Elements/Yes to Life/Just Be Good to Me [Acapella] (Nick Wiz, John Klemmer)
06 Flipshot (Forty Five King & Louie)
07 3 6 5 [Detrimental] (Old World Disorder, Eminem)
08 What Is It… (Gravity, Kamam Leung)
09 Taiyo Ga Arukagiri/Polegnala E Pschenitza (Monkey-Ken & DJ Seto)
10 No More (DJ Krush)
11 Coffee Talk (Jazzanova)
12 Wild Drums (DJ Fashion)
13 Incineratior [Radio Version] (Virtuoso)
14 Final Home [Vocal Version] (DJ Krush, Esthero)
15 Ryu Tou (DJ Krush)
16 Chie No Wa (Tha Blue Herb)
17 Hektrik (-ryu-)
18 Beataholic Reformatory (-ryu-, Beat Knuckles)
19 Kemuri/El Condora Pasa (DJ Krush, Minoru Muraoka)
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